Politics and Protest in Springsteen’s “Born in the U.S.A.”

By: Joanna Smolko (Athens, Georgia) // “I liked Springsteen before he became political,” a friend of mine commented on Springsteen’s performance at the 2009 Super Bowl. But in actuality, Springsteen has always been political. From the outset, he infused his music with elements of working class identity: unions and families, steel and rust, coal and … Continue reading Politics and Protest in Springsteen’s “Born in the U.S.A.”