The Great Gatsby turned ninety last year. What does its antihero—floating dead on a bloody mattress in the pool outside his nouveau riche palace, a casualty in some indirect sense of the American dream—have to say to us? Does his tale offer any relevant cultural critique to a nation nearly a century removed from its publication?
By: Sara Haefeli (Ithaca College) // Our monolithic history of Western classical music is largely a story about the great composers, many of whom are described as geniuses. The label has convinced many that we can’t enter the inner circle of musicians and composers. It is an elite cadre, and the chances that a new … Continue reading The Problem with Geniuses